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{"id":2233,"date":"2023-05-11T11:28:03","date_gmt":"2023-05-11T18:28:03","guid":{"rendered":"https:\/\/www.panamericana.pictures\/?page_id=2233"},"modified":"2023-05-13T13:03:39","modified_gmt":"2023-05-13T20:03:39","slug":"everardo-gonzalez-2","status":"publish","type":"page","link":"https:\/\/www.panamericana.pictures\/everardo-gonzalez-2\/","title":{"rendered":"Everardo Gonz\u00e1lez"},"content":{"rendered":"

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EVERARDO GONZ\u00c1LEZ<\/h1>\n

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FILM<\/p>\n

DIRECTION<\/p>\n

SCREENPLAY<\/p>\n

” content_phone=”<\/p>\n

DIRECTOR<\/p>\n

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DIRECTOR<\/p>\n

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Mexican director considered as one of the strongest voices in the documentary genre in Latin America. His filmography includes Pulque Song (2003), The Old Thieves (2007), The Open Sky (2011), Drought (2011) and El Paso (2015), all screened and awarded at various festivals like IDFA, Toulouse, Locarno, Montreal, BAFICI, Sarajevo, Guadalajara and Morelia. His most recent film Devil\u2019s Freedom (2017) was awarded the Amnesty International Film Prize at the Berlinale in 2017. In 2018 was director of A 3 Minute Hugs, first Netflix Originals in Latin America for documentary, he collaborated with the New York Times OpDocs platform with the film Children from the Narcozone (2019). Member of The Academy of Motion Picture<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” width=”93%” max_width=”93%” custom_padding=”||0px||false|false” custom_padding_tablet=”||0px||false|false” custom_padding_phone=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.panamericana.pictures\/wp-content\/uploads\/2023\/05\/Everardo-Gonzalez_1.webp” title_text=”Everardo Gonza\u0301lez_1″ force_fullwidth=”on” _builder_version=”4.20.4″ _module_preset=”default” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.panamericana.pictures\/wp-content\/uploads\/2023\/05\/Everardo-Gonzalez_3.webp” title_text=”Everardo Gonza\u0301lez_3″ force_fullwidth=”on” _builder_version=”4.20.4″ _module_preset=”default” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” custom_margin_tablet=”” custom_margin_phone=”-30px||||false|false” custom_margin_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.panamericana.pictures\/wp-content\/uploads\/2023\/05\/Everardo-Gonzalez_2.webp” title_text=”Everardo Gonza\u0301lez_2″ force_fullwidth=”on” _builder_version=”4.20.4″ _module_preset=”default” custom_margin_tablet=”” custom_margin_phone=”-30px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” disabled_on=”on|on|on” _builder_version=”4.20.4″ _module_preset=”default” background_color=”#0c0c0f” custom_padding=”0px||0px||true|false” custom_padding_tablet=”0px||0px||true|false” custom_padding_phone=”0px||0px||true|false” disabled=”on” global_colors_info=”{}”][et_pb_row make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.20.4″ _module_preset=”default” width=”93%” max_width=”93%” custom_padding=”0px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_3_font=”Inter-Variable|500|||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”25px” locked=”off” global_colors_info=”{}”]<\/p>\n

MORE WORK<\/h3>\n

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FILM<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_3_font=”Inter-Variable|200|||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”25px” custom_margin=”-45px||||false|false” custom_margin_tablet=”-45px||||false|false” custom_margin_phone=”-45px||||false|false” custom_margin_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

SEX & LUCIA<\/h3>\n

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FILM<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_3_font=”Inter-Variable|200|||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”25px” custom_margin=”-45px||||false|false” custom_margin_tablet=”-45px||||false|false” custom_margin_phone=”-45px||||false|false” custom_margin_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

THE RED SQUIRREL<\/h3>\n

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FILM<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_3_font=”Inter-Variable|200|||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”25px” custom_margin=”-45px||||false|false” custom_margin_tablet=”-45px||||false|false” custom_margin_phone=”-45px||||false|false” custom_margin_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

VACAS<\/h3>\n

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FILM<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_3_font=”Inter-Variable|200|||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”25px” custom_margin=”-45px||||false|false” custom_margin_tablet=”-45px||||false|false” custom_margin_phone=”-45px||||false|false” custom_margin_last_edited=”on|desktop” header_3_font_size_tablet=”25px” header_3_font_size_phone=”20px” header_3_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

THE TREE OF BLOOD<\/h3>\n

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EVERARDO GONZ\u00c1LEZDIRECTORMexican director considered as one of the strongest voices in the documentary genre in Latin America. His filmography includes Pulque Song (2003), The Old Thieves (2007), The Open Sky (2011), Drought (2011) and El Paso (2015), all screened and awarded at various festivals like IDFA, Toulouse, Locarno, Montreal, BAFICI, Sarajevo, Guadalajara and Morelia. His […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/2233"}],"collection":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/comments?post=2233"}],"version-history":[{"count":6,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/2233\/revisions"}],"predecessor-version":[{"id":2551,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/2233\/revisions\/2551"}],"wp:attachment":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/media?parent=2233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}