[et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.4″ _module_preset=”default” width=”100%” max_width=”100%” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.panamericana.pictures\/wp-content\/uploads\/2023\/04\/Recurso-4.png” title_text=”Jai Alai” align=”center” force_fullwidth=”on” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||-5px|||” custom_padding=”||0px|||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.20.4″ _module_preset=”default” background_color=”#0c0c0f” custom_padding=”||14px|||” hover_enabled=”0″ border_width_top=”1px” border_color_top=”#eeeeea” border_width_bottom=”0px” border_color_bottom=”#eeeeea” global_colors_info=”{}” module_id=”page-header” sticky_enabled=”0″][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.20.4″ _module_preset=”default” width=”100%” max_width=”97%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_margin=”|auto|0px|auto|false|false” custom_padding_tablet=”” custom_padding_phone=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” header_font=”Inter-Variable||||||||” header_text_color=”#eeeeea” header_font_size=”85px” custom_margin=”||34px|||” custom_padding=”|||33px||” header_font_size_tablet=”75px” header_font_size_phone=”55px” header_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
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The story revolves around the unstable relationship between a father and a son: two Basque pelotaris, “Xalba” and “Ategi.” It begins in Miami\u2019s Golden Age of Jai Alai during the 70s, before corruption lead to an ugly decline in the 80s, and a shameful and agonizing end in the 90s. Upon arriving to Miami, Xalba, once retired from the game, soon enters the seedy and vicious world of the ma fi a, shrewd businessmen, corrupt politicians and drug dealers.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Inter-Variable||||||||” text_text_color=”#eeeeea” text_font_size=”20px” custom_margin=”12px||14px|||” custom_padding=”0px|0px|0px|0px|false|true” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”0px|30px|12px|30px|false|true” custom_padding_last_edited=”on|phone” text_font_size_tablet=”20px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” custom_css_main_element=”column-count: 2;” border_width_bottom=”1px” border_color_bottom=”#eeeeea” global_colors_info=”{}”]<\/p>\n Genre<\/p>\n Drama <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Inter-Variable||||||||” text_text_color=”#eeeeea” text_font_size=”20px” custom_margin=”12px||14px|||” custom_padding=”|0px|0px|0px|false|true” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”|30px||30px|false|true” custom_padding_last_edited=”on|phone” text_font_size_tablet=”20px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” custom_css_main_element=”column-count: 2;” border_width_bottom=”1px” border_color_bottom=”#eeeeea” global_colors_info=”{}”]<\/p>\n Production<\/p>\n Eva Ruiz de Chavez<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Inter-Variable||||||||” text_text_color=”#eeeeea” text_font_size=”20px” custom_margin=”12px||14px|||” custom_padding=”|0px|0px|0px|false|true” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”|30px||30px|false|true” custom_padding_last_edited=”on|phone” text_font_size_tablet=”20px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” custom_css_main_element=”column-count: 2;” border_width_bottom=”1px” border_color_bottom=”#eeeeea” global_colors_info=”{}”]<\/p>\n Director<\/p>\n Julio Medem<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Inter-Variable||||||||” text_text_color=”#eeeeea” text_font_size=”20px” custom_margin=”12px||14px|||” custom_padding=”|0px|0px|0px|false|true” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”|30px||30px|false|true” custom_padding_last_edited=”on|phone” text_font_size_tablet=”20px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” custom_css_main_element=”column-count: 2;” border_width_bottom=”1px” border_color_bottom=”#eeeeea” global_colors_info=”{}”]<\/p>\n Locations<\/p>\n Madrid<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Inter-Variable||||||||” text_text_color=”#eeeeea” text_font_size=”20px” custom_margin=”12px||14px|||” custom_padding=”|0px|0px|0px|false|true” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”|30px||30px|false|true” custom_padding_last_edited=”on|phone” text_font_size_tablet=”20px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” custom_css_main_element=”column-count: 2;” border_width_bottom=”1px” border_color_bottom=”#eeeeea” global_colors_info=”{}”]<\/p>\n Language<\/p>\n Spanish<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Inter-Variable||||||||” text_text_color=”#eeeeea” text_font_size=”20px” custom_margin=”12px||14px|||” custom_padding=”|0px|10px|0px|false|true” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”|30px||30px|false|true” custom_padding_last_edited=”on|phone” text_font_size_tablet=”20px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” custom_css_main_element=”column-count: 2;” border_width_bottom=”1px” border_color_bottom=”#eeeeea” global_colors_info=”{}”]<\/p>\n Status<\/p>\n Development<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” background_color=”#0c0c0f” custom_padding=”25px|||||” global_colors_info=”{}”][et_pb_row make_equal=”on” _builder_version=”4.20.4″ _module_preset=”default” width=”100%” max_width=”100%” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.panamericana.pictures\/wp-content\/uploads\/2023\/05\/jai-alai.webp” title_text=”jai-alai” align=”center” _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Jai Alai TV\u00a0The story revolves around the unstable relationship between a father and a son: two Basque pelotaris, “Xalba” and “Ategi.” It begins in Miami\u2019s Golden Age of Jai Alai during the 70s, before corruption lead to an ugly decline in the 80s, and a shameful and agonizing end in the 90s. Upon arriving to […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/1327"}],"collection":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/comments?post=1327"}],"version-history":[{"count":5,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/1327\/revisions"}],"predecessor-version":[{"id":2491,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/1327\/revisions\/2491"}],"wp:attachment":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/media?parent=1327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}