[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” module_id=”custom-faq” _builder_version=”4.20.4″ _module_preset=”default” custom_padding=”||||true|false” custom_padding_tablet=”0px||0px||true|false” custom_padding_phone=”0px||0px||true|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_row make_equal=”on” _builder_version=”4.20.4″ _module_preset=”default” width=”93%” max_width=”93%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][dsm_faq _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][dsm_faq_child dsm_title=”JULIO MEDEM \/ DIRECTOR” dsm_content=”<\/p>\n

Julio was born in San Sebastian, Spain. A deep curiosity for the darkest corners of the human mind made him study psychiatry at the University of the Basque Country. In 1992, he directed his first feature film <\/span>Vacas<\/span><\/i> (1992) which earned him the Goya Award for Best New Director, and earned him awards in festivals such as Tokyo, Torino and Alexandria. In 1993 he made his second movie, <\/span>La Ardilla Roja<\/span><\/i> (1993); Stanley Kubrick enjoyed the film so much that he bought the original print from Medem. His third movie, <\/span>Earth<\/span><\/i> (1996) was selected for the Cannes Film Festival. In 1998 he released <\/span>Lovers of the Arctic Circle<\/span><\/i> (1998), a fan favorite and box-office hit with more than one million viewers in Spain. In 2001 his fourth movie, <\/span>Sex and Lucia<\/span><\/i> (2001) became a huge box office success and started the career of actress Paz Vega, who won the Goya for Best New Actress. His most recent works include <\/span>Ma Ma<\/span><\/i> (2015) with Penelope Cruz and <\/span>The Tree of Blood<\/span><\/i> (2018) with \u00darsula Corber\u00f3 and \u00c1lvaro Cervantes. He is currently developing his first TV series, <\/span>Jai Alai<\/span><\/i>.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”EVERARDO GONZ\u00c1LEZ \/ DIRECTOR” dsm_content=”<\/p>\n

Everardo Gonz\u00e1lez is a documentary director, producer and cinematographer. He studied Social Communication and graduated from the Universidad Aut\u00f3noma Metropolitana. He then studied cinematography at the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC). He\u2019s a member of the Mexican Academy of Arts and Cinematographic Sciences. Everardo is known for<\/span> Los Ladrones Viejos: Las Leyendas del Artegio<\/span><\/i> (2007), <\/span>La Canci\u00f3n del Pulque<\/span><\/i> (2003), <\/span>El Cielo Abierto<\/span><\/i> (2011), and <\/span>Devil\u2019s Freedom<\/span><\/i> (2017), a documentary about the violence in Mexico that earned him nominations at film festivals in Moscow, DocAviv, Lisbon, Guadalajara, Berlin and Hong Kong.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”LAURA BAUMEISTER \/ DIRECTOR” dsm_content=”<\/p>\n

Laura is a sociologist and filmmaker. She studied filmmaking at the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica in M\u00e9xico. She has directed several short films between Mexico, Nicaragua and Germany, with her first short film earning the support of the Cinergia Fund in Central America. Her works have participated in festivals like the Semaine de la Critique in Cannes, Morelia International Film Festival, FICUNAM, Stockholm Festival, Toulouse, and others. In 2015, she was part of the Talent Campus of Berlin in Guadalajara. Her short film <\/span>Isabel Im Winter<\/span><\/i> (2014) won Best Short Film at the Icaro International Film Festival and was part of the Semanie de la Critique at Cannes 2016. <\/span>Fuerza Bruta<\/span><\/i> (2016), her last completed project, premiered at Morelia International Film Festival and had an international premiere at Cinelatino, Rencontres de Toulouse, where it obtained the Revelation Prize for Best Short Film. She currently works as a director in both Nicaragua and Mexico.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”PABLO DELGADO \/ DIRECTOR” dsm_content=”<\/p>\n

Pablo graduated from Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC). His first feature film <\/span>Las L\u00e1grimas<\/span><\/i> (2013) toured film festivals around the world such as Locarno (Carte Blanche Award), Rotterdam (World Premiere), Morelia (Mexican Premiere), Toulouse, Latinbeat at the Film Society of Lincoln Center in New York, Thessaloniki, Havana, Rio de Janeiro, Hong Kong, Guadalajara, Lima, Cartagena and others. He\u2019s currently preparing his next two feature films <\/span>Acapulco Golden<\/span><\/i> and <\/span>My First Apocalypse<\/span><\/i>. He\u2019s a creative member in Panamericana Pictures, where he writes, directs and produces.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” dsm_content_padding_tablet=”” dsm_content_padding_phone=”||||false|false” dsm_content_padding_last_edited=”on|phone” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”” content_font_phone=”Inter-Variable||||||||” content_font_last_edited=”on|phone” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”EMILIO SANTOYO \/ DIRECTOR” dsm_content=”<\/p>\n

Emilio is a Mexican filmmaker who directed <\/span>The Perfect Absent<\/span><\/i> (2019), selected in Morelia and Shorts Mexico Film Festivals, and <\/span>Ana\u2019s Desire<\/span><\/i> (2019), selected in festivals such as Sao Paulo (Mostra), Los Cabos, La Habana, Cinequest, Hola M\u00e9xico, Ra\u00edces- Chivilcoy, FECIMX, Quito FLACQ, Icaro, Sant Andreu de la Barca and Lugo Film week, among others. He is the founder of the production company ANOMIA and a member of the Guadalajara Talents Programme 2020.<\/span><\/p>\n

Paula graduated from Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC). Paula has participated in the direction of publicity projects, series, and fashion films. Her documentary short film <\/span>La Casa de los L\u00fapulos<\/span><\/i> (2016) was nominated for Best Short Documentary at the Ariel Awards of the Mexican Academy of Arts and Cinematographic Sciences. Her thesis short film <\/span>Velvet<\/span><\/i> (2018) also earned a nomination for Best Short Film at the Morelia International Film Festival. Paula is currently developing her debut film <\/span>Stories About a Boy<\/span><\/i>, a project for which she won development funding from IMCINE.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”MART\u00cdN BAUTISTA \/ DIRECTOR” dsm_content=”<\/p>\n

Martin studied Communication Sciences and Cinema at the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC). He has experience as a director and editor of feature films, short films, advertising and video clips. In advertising, he has worked in management for some of the most important brands in Mexico and abroad. His pieces have won several awards as director and editor in the most important festivals of the advertising medium, such as Cannes Lions, Cyclops, El Ojo de Latin America, el C\u00edrculo Creativo, and more.<\/span><\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”SALOM\u00d3N SIMHON \/ DIRECTOR” dsm_content=”<\/p>\n

Salom\u00f3n was born and raised in Bogot\u00e1, Colombia. In 2002 he enrolled at the Universidad de Los Andes to study philosophy, but dropped out to pursue filmmaking. After studying at Black Maria, and the Academy of Photographic Arts Film School in Sydney, Australia, his film <\/span>Sonrisa<\/span><\/i> was nominated for Best Dramatic Short Film at the Los Angeles Short Film Festival. He went on to direct music videos and award-winning commercials for brands such as Toyota, Pepsi, Axe, Renault, and Unilever. In 2011 he was hired by the production company Ennova to direct commercials in Beijing, China. Returning to Bogot\u00e1, Salom\u00f3n opened the city\u2019s first independent cinema, Cine Tonal\u00e1, a cultural space where cinema and art intertwine. Simultaneously, he was commissioned by Dynamo Productions to direct the film <\/span>Detective Mara\u00f1\u00f3n<\/span><\/i> (2015). He has worked with top artists such as Nicky Jam, J Balvin, Shaggy, Karol G, Sech, Chocquibtown, among others.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”CHICA BARBOSA \/ DIRECTOR” dsm_content=”<\/p>\n

A Mexican-Brazilian filmmaker currently based in Los Angeles, Chica has always been in search of a collective creative process. Her work is focused on experimental and hybrid narratives, addressing themes like displacement, the residuals of colonialism and the visible\/invisible borders around us.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”JUAN RUY CASTA\u00d1O \/ DIRECTOR” dsm_content=”<\/p>\n

Juan Ruy is a filmmaker from Colombia. After studying jazz in Paris and training as a music producer, his passion for photography led him to concentrate on film. His series <\/span>Caballo<\/span><\/i> was developed together with Valle Verde Horse Riding, a company dedicated to equestrian tours and events. His feature film <\/span>Frontera<\/span><\/i>, developed in partnership with the Alexander von Humboldt Institute, explores the world of coca crops in the most remote regions of Colombia.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”NACHO CLEMENTE \/ DIRECTOR” dsm_content=”<\/p>\n

Nacho Clemente obtained a degree in Public Relations and Advertising in 2004. He also studied Cinema in the Cinematography School of Madrid. His professional career began as an advertising creative and soon he started directing campaigns and documentary series for major international brands all over the world. As a film director, his short film <\/span>Marionetas<\/span><\/i> (2019) was nominated for Best Iberoamerican Short film at FICG35. His last documentary <\/span>Or\u00edgenes<\/span><\/i> (2020) is now screening on Amazon Prime.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”EVA RUIZ DE CHAVEZ \/ PRODUCER – SHOWRUNNER” dsm_content=”<\/p>\n

Eva is a Mexican filmmaker and producer, and the founder of Panamericana Pictures. She has worked as the head of production for Netflix’s <\/span>El Chapo<\/span><\/i> (2017\u20132018) and is currently developing a new series titled <\/span>Jai Alai<\/span><\/i>. She has studied communications and cinema in Mexico, Madrid, and UCLA. With over a decade of experience in the film industry, Eva has worked with top companies including IBERO 90.9 FM, AG STUDIOS, HBO, Lemon Films, and Talent on the Road, one of the major talent agencies for Latinos in Hollywood, where she held the role of Head of Office in Los Angeles. With her passion for advancing the Latin community in the film industry, Eva continues to strive for success and bring new opportunities to the underrepresented.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_padding=”||||false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” dsm_content_padding_tablet=”||||false|false” dsm_content_padding_phone=”30px||||false|false” dsm_content_padding_last_edited=”on|phone” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ content_font_size=”15px” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_color_top_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_open_border_tablet=”” border_width_top_dsm_toggle_open_border_phone=”” border_width_top_dsm_toggle_open_border_last_edited=”on|desktop” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”LISANDRO S\u00c1NCHEZ \/ WRITER” dsm_content=”<\/p>\n

Lisandro has collaborated with director Jayro Bustamante on his three films: <\/span>Ixcanul<\/span><\/i> (2014), <\/span>Temblores<\/span><\/i> (2018) and <\/span>La Llorona<\/span><\/i> (2019). He has also worked in field production in several documentary audiovisual projects and information campaigns in Guatemala, including \u201cSeeds of Change\u201d and \u201cGuatemala Has Something to Tell You\u201d. He also did Art Direction in the audiovisual production \u201cTurn On for Guatemala.\u201d Since 2019 he has been part of the writing and development team for future projects of La Casa de Producci\u00f3n. He has participated in workshops with several scriptwriters, including Yolanda Barrasa. He is currently scripting a series of medium-term films.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”VALERIA ARI\u00d1EZ \/ WRITER” dsm_content=”<\/p>\n

Valeria Ari\u00f1ez graduated as a documentary filmmaker from EICTV (Escuela Internacional de Cine y Televisi\u00f3n, Cuba), where she directed several short films. Her thesis <\/span>Awairy<\/span><\/i> (2012) was selected at the Festival de Nuevo Cine Latinoamericano Latin American Film Festival Havana, Cuba and at the Havana Film Festival in New York. She has worked as an assistant director on over fifteen films in Bolivia, Nicaragua and Mexico. Her first feature film as a producer, <\/span>El Deseo de Ana<\/span><\/i> (2019) appeared in the Los Cabos Film Festival, Mexico, the Mostra Internacional de Cine de Sao Paulo, Brazil, the Festival del Nuevo Cine Latinoamericano de la Habana, Cuba, and more. Her second feature film as producer, <\/span>Esta Bestia Tan Salvaje<\/span><\/i>, is currently in post-production.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_color_top_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_open_border_tablet=”” border_width_top_dsm_toggle_open_border_phone=”” border_width_top_dsm_toggle_open_border_last_edited=”on|desktop” border_color_top_dsm_toggle_open_border_tablet=”RGBA(255,255,255,0)” border_color_top_dsm_toggle_open_border_phone=”RGBA(255,255,255,0)” border_color_top_dsm_toggle_open_border_last_edited=”on|desktop” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”SARASVATI HERRERA \/ CINEMATOGRAPHER” dsm_content=”<\/p>\n

Maria Sarasvati Herrera is originally from Mexico City. She studied filmmaking at the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica, where she specialized in Cinematography. <\/span>She has worked on five feature films and two fiction series. Her second film, <\/span>Summer White<\/span><\/i>, premiered at Sundance in 2020. <\/span>Maria Sarasvati has participated in several festivals around the world, among them the Cinelatino festival in Toulouse, and the CAMERIMAGE festival in Poland. She is a member of the AMC, the ICFC, and Apertura, and is part of Berlinale Talent.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable|300|||||||” content_text_color=”#000000″ content_font_size=”15px” custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” content_font_tablet=”Inter-Variable|300|||||||” content_font_phone=”Inter-Variable|300|||||||” content_font_last_edited=”on|desktop” content_font_size_tablet=”15px” content_font_size_phone=”15px” content_font_size_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”ANDREA GONZALEZ MERELES \/ CINEMATOGRAPHER” dsm_content=”<\/p>\n

Andrea Gonzalez Mereles is a Mexican director of photography based in Los Angeles who focuses on narrative storytelling. She holds a Master’s degree in Cinematography from the American Film Institute. She’s a 2014 Fulbright Scholar, a 2017 Project Involve Fellow and a 2019 Berlinale Talents participant. She’s a member of the International Collective of Female Cinematographers. Her films have been screened in numerous international film festivals.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_color_top_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_open_border_tablet=”2px” border_width_top_dsm_toggle_open_border_phone=”0px” border_width_top_dsm_toggle_open_border_last_edited=”on|phone” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”JUAN PABLO RAM\u00cdREZ \/ CINEMATOGRAPHER” dsm_content=”<\/p>\n

Juan Pablo graduated from Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC) and earned a Bachelor of Communication Science at ITESO. He has already photographed several feature films: <\/span>Las L\u00e1grimas<\/span><\/i> (2013, Pablo Delgado), <\/span>Los Hamsters<\/span><\/i> (2015, Gil Gonz\u00e1lez Penilla), <\/span>Chicuarotes<\/span><\/i> (Gael Garc\u00eda Bernal), <\/span>Huachicolero<\/span><\/i> (2019, Edgar Nito), <\/span>Gonz\u00e1lez<\/span><\/i> (2014, Christian Diaz Pardo), <\/span>El Reino de la Sirena<\/span><\/i> (2016, Luis Rinc\u00f3n) and <\/span>Moronga<\/span><\/i> (2016, John Dickie). His most recent work includes <\/span>The Arrivals<\/span><\/i> the most recent feature film by Academy Award Nominee Heidi Ewing. His films have toured around the world in festivals such as Locarno, Rotterdam, Morelia, Toulouse, Latinbeat at the Film Society of Lincoln Center in New York, Thessaloniki, Tribeca, Havana, Rio de Janeiro, Hong Kong, Guadalajara, Lima, and Cartagena.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”B\u00c1RBARA ENR\u00cdQUEZ \/ PRODUCTION DESIGNER” dsm_content=”<\/p>\n

B\u00e1rbara majored in Art History at the Institute of High Culture. She was the set decorator for the Academy Award winner Eugenio Caballero in <\/span>Chronicles<\/span><\/i> (2003), <\/span>Resident Evil: Extinction<\/span><\/i> (2006) and Alfonso Cuaron\u2019s Roma (2018), which received multiple awards in Venice, Oscars, BAFTA, Golden Globes, and more. As a production designer, she has worked on The<\/span> Painting Lesson<\/span><\/i> (2009), <\/span>The Prize<\/span><\/i> (2010), <\/span>The Amazing Catfish<\/span><\/i> (2012), <\/span>Mexican Gangster <\/span><\/i>(2012), <\/span>Dark Springs<\/span><\/i> (2013) and <\/span>I Dream In Another Language<\/span><\/i> (2017). Her films as art director include <\/span>Cobrador: In God We Trust<\/span><\/i> (2005), <\/span>More Than Anything in the World<\/span><\/i> (2005), and <\/span>A Monster With a Thousand Heads<\/span><\/i> (2014). She\u2019s earned several awards including the Silver Bear for Best Artistic Contribution in Berlin (<\/span>The Prize<\/span><\/i>), a Mexican Academy Award Ariel for the film <\/span>Zurdo<\/span><\/i> (2004), and Mexican Academy Award Ariel nominations for Best Production Design (<\/span>Cobrador: In God We Trust; Rudo y Cursi; The Prize; The Amazing Catfish<\/span><\/i>).<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”JORGE FUENTES \/ HAIR & MAKEUP ARTIST” dsm_content=”<\/p>\n

Jorge is a talented hair and makeup artist from Mexico City. His film work includes <\/span>Apocalypto<\/span><\/i> (2006), <\/span>Cristiada<\/span><\/i> (2012), <\/span>Elysium<\/span><\/i> (2013), <\/span>Heli<\/span><\/i> (2013), <\/span>Desierto<\/span><\/i> (2015), <\/span>La Regi\u00f3n Salvaje<\/span><\/i> (2016), <\/span>Para\u00edso Perdido<\/span><\/i> (2018), <\/span>El Hollo en la Cerca<\/span><\/i> (2021), and <\/span>Bardo<\/span><\/i> (2022). With his passion and creativity, Jorge is dedicated to enhancing the visual appeal of actors and actresses on the big screen.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”DEMIAN G\u00c1LVEZ \/ COMPOSER” dsm_content=”<\/p>\n

Demi\u00e1n is the frontman of the Latin Grammy-nominated band Centavrvs, a score composer for high-profile TV and film projects, a founding member of jazz ensemble Los Dorados, a commercial jingle writer, and a tour\/session recording veteran. After studying jazz formally, Demi\u00e1n has focused on exploring the world\u2019s musical diversity with an emphasis on Latin America and his native Mexico\u2014the results of which have permeated all his musical output. Demi\u00e1n is currently composing the original score for HBO MAX\u2019s <\/span>Coyotl<\/span><\/i> (2023) and <\/span>Ugly<\/span><\/i> (2023), and recently wrapped up projects like <\/span>Going Varsity Mariachi<\/span><\/i> (a documentary premiered at Sundance in 2023) as well as Sony\u2019s <\/span>Dale Dale Dale<\/span><\/i> (2022) and Comedy Central LatAm\u2019s <\/span>La Cagu\u00e9<\/span><\/i>. His commercial work includes jingles for eBay, Jeep, Red Bull-GMC, eharmony and more.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”ANTONIO CASTILLO \/ COMPOSER” dsm_content=”<\/p>\n

Antonio Castillo is a Mexican musician, producer and sound designer born in Puebla. He studied drums at JAZZUV of the Universidad Veracruzana under renowned teachers Edgar Dorantes, Miguel Cruz (Paquito d Rivera), and Renato Dominguez. He is currently based in Mexico City, where he has worked as a sound designer in various film projects, animation studios and advertising campaigns. His diverse musical palette includes everything from classical and jazz to rock, soul, hip-hop, and the roots music of Africa, Cuba, and Veracruz.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”KAREN ANTUNES \/ EDITOR” dsm_content=”<\/p>\n

Karen Antunes is an Uruguayan editor based in Mexico City. A graduate of the Uruguayan Film School (ECU), Karen is the editor of several series including <\/span>Historia de un Crimen: Colosio<\/span><\/i> (2019), <\/span>Las Cr\u00f3nicas del Taco<\/span><\/i> (2020), <\/span>Selena: the Series<\/span><\/i> (2021), and <\/span>Qui\u00e9n Mat\u00f3 a Sara?<\/span><\/i> (2021), all from Netflix, as well as <\/span>Porno y Helado<\/span><\/i> (2022) from Amazon and <\/span>Toda la Sangre<\/span><\/i> (2022) from Lionsgate+. His first feature film <\/span>El Sereno<\/span><\/i> (2017, Oscar Estevez and Juacko Mauad) was selected in several film festivals.<\/span><\/p>\n

A\u00f1os Luz<\/span><\/i> (2021), Juacko Mauad’s second feature film, participated in the official selection of the Malaga Festival.<\/span><\/p>\n

Unheimlich<\/span><\/i> (2021), a short film directed by Fabio Colonna, won Best Short Film at the Sitges Film Festival and awards for best editing at festivals in the United States, England, Greece, Serbia and Mexico.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_open_border_tablet=”2px” border_width_top_dsm_toggle_open_border_phone=”1px” border_width_top_dsm_toggle_open_border_last_edited=”on|phone” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”AGUST\u00cdN DALPONTE \/ EDITOR” dsm_content=”<\/p>\n

Agust\u00edn Dalponte is an Argentinian director, cinematographer, and post-producer based in Mexico City. He graduated from the Design of Image and Sound program at the University of Buenos Aires (UBA) and the Director of Photography program at the Argentine Cinematography Industry Union (SICA). As the founder and director of the boutique studio PVL Studio Argentina, Agust\u00edn has worked with Coca-Cola (Global, Latam, Europe, and Asia), Unilever, Pepsi, Google, MTV, Turner, Telcel, Martini, Bacardi, and Arcor. As a television director, his work includes Nickelodeon\/Paramount Plus titles <\/span>NickSnack<\/span><\/i> (the most viewed program on the channel in 2022) and <\/span>Garden Academy <\/span><\/i>(2020). His editing experience includes commercials for production companies Cinebur\u00f3, Voces Imaginarias, Landia, and The Lift. He currently serves as lead editor for Panamericana Pictures.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”NAHUEL P\u00c9REZ BISCAYART \/ ACTOR” dsm_content=”<\/p>\n

Argentinian actor Nahuel P\u00e9rez Biscayart trained at the Buenos Aires School of Fine Arts and received the Rolex bursary at age 21, which took him to New York to join Elizabeth LeCompte\u2019s Wooster Group. His film credits include Pablo Fendrik\u2019s <\/span>La Sangre Brota<\/span><\/i> (Semaine de la Critique, Cannes Film Festival 2008), <\/span>Deep in the Woods <\/span><\/i>(which premiered at the Locarno Festival in 2010), Rebecca Zlotowski\u2019s <\/span>Grand Central<\/span><\/i> (Un Certain Regard, Canne Film Festival 2014) and David Lambert\u2019s <\/span>All Yours<\/span><\/i> (2014), for which he was recognized at the Karlovy Vary Festival. His work in Robin Campillo\u2019s <\/span>120 Beats Per Minute<\/span><\/i> (Grand Prize, Cannes Film Festival 2017), earned him Best Male Newcomer at the 2018 C\u00e9sar awards.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”CARLOS LEAL \/ ACTOR” dsm_content=”<\/p>\n

Carlos is a Swiss rapper and actor who began his career in the five-time gold album-winning hip hop group Sens Unik. As an actor, Leal was awarded the prestigious Shooting Star award at the Berlin International Film Festival for one of his first films, <\/span>Snow White<\/span><\/i> (2011). His film credits include <\/span>Broken Embraces<\/span><\/i> (2009, Pedro Almod\u00f3var), <\/span>The Way<\/span><\/i> (2010, Emilio Est\u00e9vez), <\/span>There Be Dragons<\/span><\/i> (2011, Roland Joffe), and <\/span>Spaceman<\/span><\/i> (2016, Brett Ratkin). He has starred in television programs in France, Spain and Switzerland, and the United States, including <\/span>El Internado<\/span><\/i> (2007), the award-winning <\/span>Gotthard<\/span><\/i> (2016), and <\/span>Better Call Saul<\/span><\/i> (2018). Leal\u2019s most recent work is Dee Rees\u2019 <\/span>The Last Thing He Wanted<\/span><\/i> (2020), also starring Anne Hathaway, Ben Affleck and Willem Dafoe.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”JUANITA RINGELING \/ ACTRESS” dsm_content=”<\/p>\n

Juanita is a Chilean actor, singer, and filmmaker based in the United States. She studied acting at Double Edge Theatre in Ashfield MA, the Odin Theater in Denmark and Teatro de los Sentidos in. In 2008 she started her television career on the series<\/span> Hijos del Monte<\/span><\/i>; since then, she has performed in multiple soap operas (including <\/span>Chile Libre<\/span><\/i> on which she won acclaim for her role of Rusia), Latin American television series, films, musical plays. Her work on the film <\/span>Shortwave<\/span><\/i> (2016) was recognized at the New York Film Festival, Flimquest and Goldenoor International Filmquest.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][dsm_faq_child dsm_title=”VICKY ARAICO \/ ACTRESS” dsm_content=”<\/p>\n

An experienced actress in stage, film and television, Vicky trained as an actor at Centro Universitario de Teatro, Mexico\u2019s National University (UNAM) before completing an MA in Movement Studies at the Royal Central School of Speech and Drama in London. Her film work includes <\/span>World War Z<\/span><\/i> (2013) and Diego Luna\u2019s Netflix series <\/span>Todo Va a Estar Bien<\/span><\/i> (2021). Her television credits include <\/span>Se\u00f1orita P\u00f3lvora<\/span><\/i> (2014), <\/span>La Bandida<\/span><\/i> (2019), <\/span>Do\u00f1a Flor y Sus Dos Maridos<\/span><\/i> (2019), and <\/span>Falsa Identidad 2<\/span><\/i> (2020). Her solo theater show <\/span>Juana in a Million<\/span><\/i> was awarded a Fringe First Award at the Fringe Edinburgh Festival (2012), Best One-Woman Show at the United Solo Festival in NYC (2013), a Maria Douglas Award for Best Actress in a Solo Show by the Mexican Association of Theatre Critics (2014) and a nomination as Best Actress at the Offies Awards (Off West End) in London, UK.<\/span><\/p>\n

” dsm_child_open_font_icon=”||fa||900″ dsm_child_close_font_icon=”||fa||900″ dsm_close_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_bg_color=”RGBA(255,255,255,0)” dsm_open_icon_color=”#000000″ dsm_close_icon_bg_color=”RGBA(255,255,255,0)” dsm_close_icon_color=”#000000″ dsm_content_margin=”|||540px|false|false” dsm_content_margin_tablet=”|||540px|false|false” dsm_content_margin_phone=”30px|||0px|false|false” dsm_content_margin_last_edited=”on|desktop” _builder_version=”4.20.4″ _module_preset=”default” header_item_font=”Inter-Variable||||||||” header_item_text_color=”#000000″ header_item_font_size=”25px” closed_header_item_font=”Inter-Variable||||||||” closed_header_item_font_size=”25px” content_font=”Inter-Variable||||||||” content_text_color=”#000000″ custom_margin=”-11px||||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-11px||||false|false” custom_margin_last_edited=”on|desktop” closed_header_item_text_align_tablet=”” closed_header_item_text_align_phone=”” closed_header_item_text_align_last_edited=”on|desktop” border_width_top_dsm_toggle_open_border=”1px” border_color_top_dsm_toggle_open_border=”#000000″ border_color_right_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_open_border=”2px” border_color_bottom_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_color_left_dsm_toggle_open_border=”RGBA(255,255,255,0)” border_width_top_dsm_toggle_closed_border=”2px” border_color_top_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_color_right_dsm_toggle_closed_border=”RGBA(255,255,255,0)” border_width_bottom_dsm_toggle_closed_border=”2px” border_color_bottom_dsm_toggle_closed_border=”#000000″ border_color_left_dsm_toggle_closed_border=”RGBA(255,255,255,0)” global_colors_info=”{}” parentOrderClass=”dsm_faq_0″][\/dsm_faq_child][\/dsm_faq][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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”Julio<\/div>\n\t\t\t <\/div>\n\t\t\t<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/1315"}],"collection":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/comments?post=1315"}],"version-history":[{"count":19,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/1315\/revisions"}],"predecessor-version":[{"id":3128,"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/pages\/1315\/revisions\/3128"}],"wp:attachment":[{"href":"https:\/\/www.panamericana.pictures\/wp-json\/wp\/v2\/media?parent=1315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}